The star of Bethlehem exemplifies the birth of Jesus, the Wittenberg Door is synonymous with the Protestant Reformation, and “the pill” symbolizes the sexual revolution. It’s “stuff” that helps tell the story of Christianity.
In this unique, rich, and eye-catching book, popular Catholic author and EWTN host Mike Aquilina tells the Christian story through the examination of 100 objects and places. Some, like Michelangelo's Pietà, are priceless works of art. Others, like a union membership pen, don’t hold much monetary value. But through each of them, Aquilina offers a memorable and rewarding look at the history of the Church.
When Catholics tell their story, they don’t just write it in books. They preserve it in memorials, monuments, artifacts, and museums. They build grand basilicas to house tiny relics.
In this stunning book, Aquilina, together with his writer-daughter Grace, show how the history of the Church didn’t take place shrouded in the mists of time. It actually happened and continues to happen through things that we can see and sometimes hold in our hand.
The Christian answer to Neil MacGregor's New York Times bestseller A History of the World in 100 Objects, Aquilina’s A History of the Church in 100 Objects introduces you to:
The Cave of the Nativity (the importance of history, memory, and all things tangible)
Catacomb niches (the importance of Rome, bones, and relics of the faith)
Ancient Map of the World (the undoing of myths about medieval science)
Stained Glass (representative of Gothic cathedrals)
The Holy Grail (Romance literature and the emergence of writing for the laity)
Loaves and fish (a link from Jesus to the sacrament of the Eucharist)
The Wittenberg Door (Martin Luther and the onset of the Reformation)
Each of these and the 93 other items and places in the book tell part of the Christian story. Each is an essential piece of the story of our salvation.
God makes himself known and accessible through material things, always accommodating himself to our condition. It is, after all, the condition he created for us—spiritual and material—and the form he assumed for our salvation.
My Comments:
We Catholics like our "stuff". While the trend in church buildings in the 1960's and 1970's may have been minimalist and utilitarian, today's new churches tend to look like churches with stained glass, statues and a sanctuary with a tabernacle front and center. We are physical beings and our senses can bring us closer to God.
A History of the Church in 100 Objects uses pictures of our "stuff" as leadoffs for chapters on the history of our faith. If you click the Amazon link above and page though the sample pages, you'll see that it is a beautiful book. As a history buff and a Catholic I found it fascinating and learned some new stories (because what is history of not his (and her) story?
Thanks to the publisher for making a review copy available via NetGalley. Grade: B+
This special edition of Pope Francis's popular message of hope explores themes that are important for believers in the 21st century. Examining the many obstacles to faith and what can be done to overcome those hurdles, he emphasizes the importance of service to God and all his creation. Advocating for “the homeless, the addicted, refugees, indigenous peoples, the elderly who are increasingly isolated and abandoned,” the Holy Father shows us how to respond to poverty and current economic challenges that affect us locally and globally. Ultimately, Pope Francis demonstrates how to develop a more personal relationship with Jesus Christ, “to recognize the traces of God’s Spirit in events great and small.”
Profound in its insight, yet warm and accessible in its tone, The Joy of the Gospel is a call to action to live a life motivated by divine love and, in turn, to experience heaven on earth.
Includes a foreword by Robert Barron, author of Catholicism: A Journey to the Heart of the Faith and James Martin, SJ, author of Jesus: A Pilgrimage
My Comments:
So many books; so little time....This one really looks like a read a paragraph or two and meditate on it type book rather than a read it through for hours type.
Every day is a holiday in the Catholic Church. In their latest collaboration, Cardinal Wuerl and Mike Aquilina examine the history and traditions behind both favorite and forgotten holidays, from Christmas to Easter, from the Solemnity of the Most Holy Trinity to the Feast of the Holy Angels
Catholic faith is festive, and the Catholic faithful count their days by celebrating the mysteries of Jesus’ life. There is a message to be found in the passing of days, weeks, and seasons. Through the feasts, ordinary Christians learn the life of Christ, share it, and come to imitate it.
This book continues the work the authors began in their books The Mass and The Church, exploring the meaning and purpose of the most basic and beloved aspects of Catholic life. Each chapter uncovers the biblical origins and development of one of the great feasts or fasts — Advent, Epiphany, the Holy Angels, all the Marian feasts, and even this very day. The calendar can be a catechism for Catholics who know how to live it.
“The feasts form us,” write the authors, “They help to make us and remake us according to the pattern of the life of Jesus Christ. We number our days as we walk in his footsteps, from his birth to his baptism, from his passion to his resurrection, from his Ascension to his sending of the Spirit to make us saints. We do this faithfully every year, and it defines us as who we are.”
“Cardinal Wuerl and Aquilina show us the transformative spiritual power in the Church’s original and most ancient feasts. This is a book to be prayed with and meditated on. Because when we understand the meaning of the Church’s liturgical feasts, we know better the great dignity and destiny we have as children of God.”
- Most Reverend José Gomez, Archbishop of Los Angeles
My Comments:
My quick perusal of this one confirms that like the other books by this duo, it is easy to read and written in an instructive style.
What could be more familiar than the Christmas story -- and yet what could be more extraordinary? The cast of characters is strange and exotic: shepherds and magicians, an emperor and a despot, angels, and a baby who is Almighty God. The strangeness calls for an explanation, and this book provides it by examining the characters and the story in light of the biblical and historical context. Bestselling author Scott Hahn who has written extensively on Scripture and the early Church, brings evidence to light, dispelling some of the mystery of the story. Yet Christmas is made familiar all over again by showing it to be a family story. Christmas, as it appears in the New Testament, is the story of a father, a mother, and a child -- their relationships, their interactions, their principles, their individual lives, and their common life. To see the life of this "earthly trinity" is to gaze into heaven.
My Comments:
I think that given the season, this one is going to the top of my TBR stack. Hopefully I'll get a review up this week.
The Mass: The Glory, the Mystery, the Tradition is an engaging and authoritative guide to Catholicism’s most distinctive practice. And now, with the Church introducing revised language for the Mass, Catholics have a perfect opportunity to renew their understanding of this beautiful and beloved celebration.
With eloquent prose and elegant black-and-white photography, bestselling authors Archbishop Donald Wuerl and Mike Aquilina guide readers through the different parts of the Mass, from the entrance procession to the blessing and dismissal, capturing the deep meaning of elements that are at once ordinary and mysterious: bread and wine, water and candles, altar cloths and ceremonial books.
Step by step, they explain the specifics, such as the order of the Mass, the vessels used, the unique clothing worn, the prayers and responses, the postures and the gestures. Then they explore the rich historical, spiritual and theological background to each. Prayerful but practical, fact-filled but readable, The Mass prepares readers to participate more fully and appreciatively in the sacred rite at the heart of Catholic life.
My Comments:
You'd think that a book like this would be "same-old, same-old" to someone who has attended Mass weekly and then some all her life, but it wasn't. You'd think that any book that could teach something to someone like me had to be an unapproachable theological treatise that would require an advanced degree (or at least a dictionary) to decipher, but it wasn't. It hit just the sweet spot of being easy to read and understand yet covering enough information not in common knowledge that I didn't feel like I had wasted my time reading it. I highly recommend this book to just about anyone. Grade: A.
I'd like to thank the publisher for providing a complimentary review copy through the Blogging for Books program.
It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!
You never know when I might play a wild card on you!
***Special thanks to Rick Roberson for sending me a review copy.***
ABOUT THE AUTHORS:
DONALD CARDINAL WUERL is the Archbishop of Washington, DC, and the bestselling author of The Catholic Way. He is known nationally for his catechetical and teaching ministry and for his efforts on behalf of Catholic education.
MIKE AQUILINA is the author of over 20 books, including The Mass of the Early Christians and Fire of God's Love:120 Reflections on the Eucharist. He appears regularly on EWTN with Scott Hahn.
From the bestselling authors of The Mass, an insightful and practical guide that explores the architectural and spiritual components of the Catholic Church.
Your local church is not only a physical place, but a spiritual home. In this thought-provoking book, Wuerl and Aquilina illuminate the importance of the Church in its many guises and examine the theological ideas behind the physical structure of churches, cathedrals, and basilicas. How is a church designed? What is the function of the altar? What does the nave represent? What is the significance of the choir loft? With eloquent prose and elegant black-and-white photography, these questions and many more will lead to answers that illuminate the history and practicality of Catholic life. CATHOLIC DREAM TEAM: In a pairing that brings together the best of the pastoral and the secular, Cardinal Donald Wuerl, the Archbishop of Washington, DC, is teaming up once again with beloved author Mike Aquilina to bring us a unique vision of one the most important aspects of the Catholic faith.
Product Details:
List Price: $21.99
Hardcover: 240 pages
Publisher: Image (March 5, 2013)
Language: English
ISBN-10: 0770435513
ISBN-13: 978-0770435516
AND NOW...THE FIRST CHAPTER:
L OV E IS T H E BU I L DE R
Catholics love their churches. We build them with love. We make them lovable.
If you visit a remote village in Latin America, the people will be pleased to show you their church—the church that they or their ancestors have raised to the glory of God. Step inside and you’ll find a sanctuary adorned with precious items: skillfully wrought woodwork, stonework, and metalwork, and paintings and statues in the local style. If you linger for Mass, you’ll see a chalice and plate of gold or silver, enhanced perhaps by gems.
The inside of the church may be lavish and rich, while the homes outside are simple and unadorned. And that contrast sometimes shocks people who are visiting from more prosperous lands. It has become a cliché of anti-Catholic prejudice to say that such precious objects would serve a better purpose if they were sold to raise money for food.
The people in the village know better. They know that the money earned from such a sale would feed them for no more than a few days, while the loss would leave them impoverished forever. Without their church—their church—they would be spiritually and culturally destitute. For they’ve built and furnished their church with love, as Catholics everywhere do and always have done.
Such love finds expression in the smallest details of construction and decoration, and in a seemingly infinite variety of styles. You’ll see it in Ethiopia’s ancient churches—carved out of a single massive block of black stone, the size of a small mountain. You’ll see it in Cappadocia’s cave churches—occupied during a time when Christianity was illegal and the faith was forced under- ground (literally). You’ll see it in the play of dark and light in the Gothic cathedrals of the Middle Ages. You’ll find it in the most ordinary suburban churches in the United States.
These churches, in all their diversity, are built according to a common plan, furnished with similar items, and decorated with remarkably standard symbols, scenes, and images. The elements bespeak a love shared by Catholics from all over the world, regardless of language, culture, wealth, or historical period.
Catholics build their churches with love; and our love has a language all its own. Like romance, Christian devotion follows certain customs and conventions—a tradition poetic and courtly—hallowed by millennia of experience.
This book is about that silent language of love. In these pages we’ll examine the structure of a church and its furnishings. We’ll consider the historical and biblical roots of each element in a church, providing basic definitions, and we’ll explain each element’s meaning in the Christian tradition. Why, for example, do churches have spires and bells? Where did we get the custom of using holy water? How does an altar differ from an ordinary table? What are votive candles for?
Every part of a church is rich in meaning and mystery, theology and history. Every furnishing or ornament reveals some important detail of the story of our salvation. Through two millennia, Christians have preserved and developed a tradition of building and decoration. The tradition is supple enough that it could be adapted by local cultures as the Gospel spread to new lands, yet solid enough to protect and preserve the essential heritage received from the Apostles and revealed by God.
If you were making a movie and you wanted your audience to identify an interior immediately as a Catholic church, what would you do? You’d show sunlight streaming through stained glass. You’d angle your camera heavenward, looking upward past monumental statues of the saints. You’d pan across a bank of red votive candles with flickering flames, and then focus on an array of seemingly surreal images: a human heart surrounded by thorns; an eye; a disembodied hand raised in blessing; a painting of a woman standing on a crescent moon; a carving of a dove descending; a lion, an eagle, and an ox, all crowned by similar halos; and a throng of angels.
In the popular imagination, these elements add up to a Catholic identity. But what exactly does each of them mean?
And how do all the elements work together? What’s the sense of the symbols? What are we trying to say through the medium of human body parts and exotic animals? Late in the fourth century Saint Augustine, who would go on to become a builder of churches, wrote: “I know that a truth which the mind understands in just one way can be materially expressed by many different means, and I also know that there are many different ways in which the mind can understand an idea that is outwardly expressed in one way.”
The African saint gives us an important insight for “reading” our churches: One image can convey many layers of meaning, and the same idea can be expressed in manifold ways.
Everything we see in a Catholic church is there for a single purpose: to tell a love story. It is a story as old as the world, and it involves the whole of creation, the vast expanse of history, and every human being who ever lived. It involves Almighty God, and it involves you.
Art and architecture are means of communication. Our churches speak of something remote, beyond the reach of human sciences—what Dante called “the Love that moves the sun and the other stars.” But our churches speak also to something deep inside us—in our souls and in our senses—because, as Dante added, the same Love that moves the cosmos also moves “my desire and my will.”
To understand our churches is to begin to understand a love at once unmistakably divine and profoundly human, faraway and yet intimate. When we begin to understand that love, it begins to light up our view of our churches and their symbols.
The love story appears in compressed, poetic form in the Gospel according to Saint John.
In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God; all things were made through him, and without him was not anything made that was made. In him was life, and the life was the light of men. The light shines in the dark- ness, and the darkness has not overcome it. . . .
The true light that enlightens every man was coming into the world. He was in the world, and the world was made through him, yet the world knew him not. He came to his own home, and his own people received him not. But to all who received him, who believed in his name, he gave power to become children of God; who were born, not of blood nor of the will of the flesh nor of the will of man, but of God.
And the Word became flesh and dwelt among us, full of grace and truth; we have beheld his glory, glory as of the only-begotten Son from the Father. . . .
For God so loved the world that he gave his only-begotten Son, that whoever believes in him should not perish but have eternal life. ( John 1:1– 5, 9–14; 3:16)
John begins his Gospel by describing a God of awe- some power, remote in space and transcending time: a Spirit, a Word. This is the God whom even the pagan philosophers knew: the Prime Mover, the One. Yet, precisely where the pagan philosophers stalled, John’s drama proceeds to a remarkable climax: “And the Word became flesh and dwelt among us.”
From beyond the distant heavens, existing before the beginning of time, God himself broke into history, took on flesh, and made his dwelling—literally, “pitched his tent”—among his people. Yes, God is eternally the Word, but a word is elusive, and not everyone may grasp it.
God, who reigns in heaven, and who transcends all creation and all time, assumed the life of an ordinary la- borer, who could be seen and heard and touched. God transformed all creation by his healing touch. He took up residence among his people.
The early Christians said that when Jesus descended into the river Jordan he sanctified—made holy—all the waters of the earth, commissioning them for the task of baptism. In his mother’s womb he sanctified motherhood. At a family table, God handled ordinary food and made it to signify an otherwise unimaginable heavenly banquet. He wandered in the desert and traveled in boats and visited towns and cities. In doing all this, he blessed creation and hallowed it as a sign of his own eternal life.
Every Catholic church is built to tell this story, the story of how “God so loved the world.” Every church is built to dispense the life-giving water and magnify the light that shines in the darkness. Every church serves the heavenly banquet at its family table: the altar. Every church is built as a memorial of God’s sojourn among his people—and of his people’s rejection of him. Front and center we keep the crucifix.
Our churches tell a love story, and they bring us salvation, and so we love them all the more. So much of Catholic identity is built into the houses we build for worship. Everything about our churches, inside and out, is a unique material token of the most profound spiritual love. Jesus has spiritualized the world, but he has done it by putting flesh on pure Spirit. That reality is reflected on the walls of every Catholic church.
Saint John of Damascus, writing in eighth-century Syria, pondered the things in his church and was moved, he said, to “worship the God of matter, who became matter for my sake, and willed to make his dwelling in matter, and who worked out my salvation through matter. I will not cease from honoring the matter that works my salvation. . . . Through matter, filled with divine power and grace, my salvation has come to me.”
Theologians call this the “sacramental principle.” Other authors, speaking colloquially, refer to it simply as “the Catholic Thing.” That’s how closely a Catholic’s spiritual identity is tied to these material realities.
The sacramental principle tells us that, since the Word became flesh, God has begun to heal and restore his creation. Spiritual light can now shine through the material world. Because of the touch of Jesus Christ, matter can now convey God’s grace. On one level, bread and wine; on another, oil, candles, fabrics and paint, bricks, blocks, and filigree—all these can mediate God’s presence in the world.
Jesus’s disciples, still today, can sense the dramatic effects of the Incarnation. With the poet Gerard Manley Hopkins we can look upon a world “charged with the grandeur of God”—and we can reflect that grandeur through the material objects and symbols present in our churches.
Reflecting God’s grandeur is something we are drawn to do. It fulfills a need we have as Christians who have been redeemed. We want to praise and thank the Lord who has saved us. But it also fulfills a basic need we have as human beings; for the God who redeemed us is the God who created us, and he designed us to love beauty, to find delight in it, and to make beautiful things that tell us of the greater beauty of divine glory.
Christians need churches. It is said that for centuries the Benedictine order forbade the founding of a new monastery until the group of founders included a monk who could make bricks—and another who was trained in turning those bricks into church walls, raised according to the ancient models. From generation to generation they passed on the tradition of beauty, love, and wisdom that they had received, a tradition that libraries could not contain, yet one that we’ll try to survey with you in the chapters that follow.
My Comments:
When I used to teach third grade religious education in my parish, one of my favorite chapters taught about the "stuff" in the church. We'd take a tour of the church and learn about the names and uses of all those things the kids hopefully saw on a regular basis. This book is like my tour, only for grown-ups. In a very readable and interesting manner, Wuerl and Aquilina take us through the church pointing out the names and history of all sorts of different things,both the familiar (like the altar) and those I barley realized existed (the ambry, which is the cabinet that holds the holy oils). I learned that there is a reason beyond aesthetics that my parish's baptismal font has eight sides, and that there is a cheap(er) way to make stained glass, and an expensive one. If you've ever wondered why churches have certain things in them, this is the book for you. If you aren't Catholic and plan to tour historical Catholic churches on your next trip to Europe, this book could help you realize what you are looking at and why it is there. Grade: B+
![A History of the Church in 100 Objects by [Aquilina, Mike, Aquilina, Grace]](https://images-na.ssl-images-amazon.com/images/I/51Opj3VcGAL.jpg)
